Messiana biography is brief

Birds of silence Messian French composer O. Messian rightfully occupies one of the honorary places in the history of musical culture of the 20th century. He was born in an intelligent family. Father is a linguist scientist, Flemish, mother is the famous South French poetess Cecil Owage. At the age of 11, Messian left his hometown and went to study at the Paris Conservatory - the game on the organ of M.

Dupra, the composition of P. Duke, the history of music by M. graduating from the conservatory, Messian took the place of the organist of the Parisian Church of St. In the city of Messian, together with I. Bodrie, A. Zholiv and D. Lesyur, he formed the group “Young France”, which strove for the development of national traditions, for the direct emotionality and sensual fullness of music.

With the outbreak of war, Messian went to the front, in the gg. In the post -war period, Messian achieves worldwide recognition as a composer, acts as an organist and as a pianist often, along with the pianist of Ivna Lorio, his student and companion of life, writes a number of works on the theory of music. Among the students of Messian - P. Boulez, K. Shtokhausen, J.

Aesthetics Messiana develops the basic principle of the Young France group, which urged the music, the immediacy of the expression of feelings. Among the stylistic sources of his work, the composer himself calls the Gregorian chorale, Russian songs, the music of the eastern tradition in particular, India, and bird singing. The works of Messian are carried by light, a mysterious radiance, they sparkle with the brilliance of bright sound colors, with contrasts of simple, but refined to intonate songs and sparkling “cosmic” prooferens, bursts of boiling energy, serene voices of birds, even bird choirs and ecstatic silence of the soul.

In the world of Messian there is no place for household proseisms, tension and conflicts of human dramas; Even the harsh, terrible images of the greatest of the wars were not imprinted in the music of the "Quartet at the end of time." Rejecting the low, everyday side of reality, Messian wants to approve the traditional values ​​of beauty and harmony, high spiritual culture, and not “restoring” them through some stylization, but generously using modern intonationality and appropriate means of musical language.

Messian thinks with “eternal” images of Catholic orthodoxy and pantheistic stained cosmologism. Approving the mystical purpose of music as an “act of faith”, Messian gives his works the religious names: “vision of amino” for two piano, “three small liturgy to the divine presence”, “twenty views on the baby of Jesus” for the piano, “Mass on the Pentecostal”, the oratorio “Transfiguration of our Lord Jesus Christ”, “tea”.

Resurrection of the Dead ”, to the summer of the Second World War. Even birds with their singing - the voice of nature - are interpreted by Messian mystically, they are “ministers of intangible spheres”; Such is the meaning of bird singing in the writings “Awakening of birds” for the piano with the orchestra; "Exotic birds" for piano, shock and chamber orchestra; “Bird catalog” for piano, “black thrush” for flute and piano rhythmically sophisticated “bird” style is found in other works.

Messian and elements of numerical symbols are not uncommon. Thus, the “trinity” permeates the “three small liturgy”-3 parts of the cycle, each three-time, three times three dark-instrumental units, a unison female choir is sometimes divided into 3 parties. However, the nature of the musical imagery of Messian, characteristic of his music, French sensuality, often “acute, hot” expression, sober technical calculation of the modern composer, which establishes the autonomous-musical structure of his composition, all this is a certain contradiction with the orthodoxy of the names of works.

Moreover, religious stories are found only in the part of Messian's works, he himself finds the alternation of the music “pure, secular and theological”. As a theorist of music, Messian relied mainly on his work, but also on the work of other composers in T. Stravinsky, on the Gregorian chorale, Russian folklore, on the views of the Indian theorist of the XIII century. In the book “Technique of my musical language”, he outlined an important theory of modal frets of limited transposition and a sophisticated rhythm system for modern music.

Messiana’s music organically also makes the connection of times up to the Middle Ages and the synthesis of cultures of the West and the East. Sloves of essays: for the choir - three small liturgy of the divine presence of Trois Petites Liturgies de la Presence Divine, for wives.