Biography R Nurmukhametov


Nailya Kamalova 23 Jan at PM The picture in detail and clearly, as in a literary work, determined the intensity of passions - the heroes are only good, the anti -heroes are only bad. True, there are sympathetic, but they do not decide the essence. Violation of religious dogmas, especially in the village, where their own laws, their own orders and concepts, far from the concepts of enlightened cities, in pre -revolutionary times were a terrible affair.

The traditional form of solving the historical picture in the “Surikovsky” key V. Surikov was a god for Rashid Mukhametbareevich makes it possible to consider in great detail the protected paintings and the crowd surrounding them. A very “convenient” composition, when everything lends itself to the audience's eye - the center and a semicircle. Rightly written clothes in details talk about people, those who are dressed in these clothes.

The beauty-heroine, the powerful, but the powerless hero, already see their fate-Hubel. Their static frozen figures contrast with the moving mass of other people. Each figure, every face deserves attention, they are spelled out in detail and juicy.

Biography R Nurmukhametov

The painting of the picture proved the stable influence of Russian art on a young artist in the best sense of the word - it is rich in shades, a beautiful color of brown, red, golden tones. By the way, for this work and a number of portraits of R. Nurmukhametov, he was awarded the title of laureate of the Republican Prize named after Salavat Yulaev in the year. The picturesque face of art is determined not only by the paintings associated with people.

For example, topics, such as a still life, landscape, interior will no worse say about time, lifestyle, creativity, as well as “figure” compositions. For some reason, we always remember the still life, the landscape at the end of the story. So this time, the conversation about the landscape art of Nurmukhametov is the last plot in the story of the artist. And he was an excellent landscape painter, although he always considered his landscapes to be secondary.

But this is his position: the main thing is a person, his heroic work, his history and life. And nature is the background on which actions unfold. Rashid loved nature, wrote it a lot, however, did not often exhibit it. You look at his wonderful works “Spring on the river. Urshak ”,“ Lake under the Ufa ”,“ Nightingale evening ”and regret that there are no more other people in the artist’s work.

The picture “Morning on Yuryuzan” is very special, it is difficult to tell it: the forest disappeared in the fog, the clearing is barely visible, only the haystack still retained its outlines. Light greenish-silver tones of the whole picture evoke sweet sadness. And nothing more. Well, how can you tell delight or love, or other feelings? Words are only the shadow of those feelings.

Like K. Monet or E. Speaking of this artist, this man probably cannot but mention one more - his social life. As in his art, Rashid Mukhamedbarevich was energetic as the chairman of the Union of Artists of Bashkiria, he always asked somewhere about something, he took out, helped-a workshop, a creative business trip, even scarce medicines then. As a permanent member of the exhibition committees of various large exhibitions, such as the “Socialist Urals”, he helped many of our artists to establish himself, participate at exhibitions, and be adopted in a creative union.

Creative and social work in the life of Nurmukhametov interacted; The artist found for himself more and more plots, such as “veterans of art”, the theme of veterans of the Great Patriotic War, Heroes-Dogariki and combiners, whom he met on his endless trips. Rashid Nurmukhametov never tormented the question of whether he acquired anything about the world when he came to him, and whether he would lose what the world when he leaves him.

His simple nature was not characterized by such idle thoughts. But with his departure, we lost one of our brightest artists. He was. He deeply respected those whom he wrote and to whom he devoted his work.