Odintsova biography Turgenev

A wealthy widow, the hostess of the estate in which he accepts non-nigiral friends. With sympathy, it refers to the main character of the novel Evgeny Bazarov, but does not show enthusiasm when he admits Anna in his own feelings. He considers love a much less significant thing in life than the opportunity to live calmly and without excitement. The local governor gives the ball to which Anna Odintsova comes to and meets Bazarov there.

Odintsova invites young people to Nikolskoye’s own estate, and they come. The portrait of Ivan Turgenev Bazarov and his friend are both enthusiastic about the hostess of the estate and spend some time in Odintsova’s house as guests. Anna against her own will evokes love in Bazarov and scares this feeling when the hero admits to her. After the unsuccessful recognition of Bazarov, he is forced to leave the estate.

Bazarov leaves for his parents and rushes back and forth for some time, finding no place for himself. During these throwing, the hero once again calls on the estate of Anna, Nikolskoye, but Bazarov is accepted there coldly. Later, Arkady Kirsanov’s friend arrives at the Odintsova’s estate, and Anna was visiting Anna for some time, slowly carried away by Katerina, the sister of the heroine.

Evgeny Bazarov sister Anna Odintsova is a quiet and inconspicuous girl who is constantly in the shadow of the heroine. He knows how to play on the clips. At first, Arkady spends time in Katya's society in order to distract from his own unrequited feelings for Anna, but is gradually imbued with sincere love to the girl. Bazarov, meanwhile, quarrels with the father of Arkady and, after a friend, comes to Nikolskoye.

The hero apologizes to the hostess for his previous behavior and his feelings, and Anna accepts these apologies. In the few days that Bazarov spends in Nikolsky, Arkady manages to admit Katerina's love. In the final, Katerina and Arkady make marriage. Bazarov leaves Nikolskoye, and Anna no longer see him until the end of his life. The hero works as a doctor and dies due to blood poisoning, which he received, inadvertently treating the instruments during the autopsy.

Anna comes to Bazarov at the hero’s personal request when he is already lying on his deathbed. Anna Odintsova’s appearance further history of Anna’s life is in such a way that the heroine again gets married. This is another marriage, concluded not by love, but this time not for the sake of wealth, but by convictions. Anna's new husband is a certain “future Russian figure”.

In the novel there are also relatives of Anna. Anna of noble origin, the mother of the heroine belonged to the princely family. The heroine’s father is Sergey Loktev, a player and a swindler. Mr. Loktev lived in Moscow and St. Petersburg for 15 years, during which time he lost a lot of money and eventually forced to donate in the village. Anna also has an old aunt, a woman with an unpleasant character, swagger and angry.

Anna is forced to settle the aunt in her own house after her father dies. Anna Odintsova by nature is endowed with observation and a sober sharp mind. The woman received a good education, she is practical and understands people, she has democratic views. Anna received education in St. Petersburg. The heroine entered into a successful marriage and, despite the fact that she had only debts from her father, she got a good job in her life and helped her younger sister, whom she herself raised after the death of her parents.

Anna loves comfort and luxury, but at one time in the life of the heroine there were enough difficulties. But the woman corrected her financial situation and after the death of her husband remained the only mistress of the estate and the owner of significant capital.

Anna was never in love in her life and appreciates primarily independence and peace, little bitter of the opinion of others. Anna personally runs the estate, he decides to do the case with the butler, the clerk and the main key. The heroine has an attractive appearance. Turgenev describes Anna as a young and fresh woman of high stature, with a slender body, proud posture, beautiful hands, with plowed shoulders and white skin.

The heroine smoothly combs dark hair by the ears and brakes into a braid. Anna is twenty -eight years old. Odintsova gives the impression of a friendly and cute person, but it is difficult to guess the heroine’s face. Anna's face always retains the same friendly expression, the heroine is kind, she has an even pleasant voice. With all this, Anna is not very talkative and cold, proud and does not like it when she is worried.

He does not like secular society, rarely leaves for the city and after the death of her husband only once went abroad. Alla Larionova’s film adaptation in the film "Fathers and Children" in the year of the film company Lenfilm released the dramatic film "Fathers and Children", shot by directors Natalya Rashevskaya and Adolf Berguner. In the role of Anna Odintsova, actress Alla Larionova starred in this tape.

In the year, another adaptation of Turgenev’s novel was released - the four -part tape “Fathers and Children” with Natalya Danilova in the role of Odintsova. The film was shot by director Vyacheslav Nikiforov at the Belarusfilm film studio. In the year, director Avdotya Smirnova removed the four -part film adaptation of “Fathers and Children”.In the image of Anna Odintsova, actress Natalya Rogozhkin performed.

The rich manor of Odintsova was shot near Bryansk at the Tyutchev estate, which has now become a museum-reserve. This is a large stone house with a colonnade in the style of Russian classicism. Natalya Rogozhkina, as Anna Odintsova, in the film by Avdotya Smirnova, the scene of the explanation of Bazarov and Anna unfolds in the room, which was caught by the Bohemian glass, fragile glasses and jugs.

The rattles of thin glass emphasizes the tension of the scene and the fragile grace of the noble world, into which Bazarov bursts like an elephant into a bowl shop. Quotes “In my opinion, or all, or nothing. Life for life. I took mine, give yours, and then already without regret and without return. It’s better not to. ” I don’t want to go. ”