Alevtina Dobrynina actress Biography

As a child, I went to a music school, where I studied in the piano class, then my mother contributed to me to learn how to play the guitar. And from the 2nd year began to work in the theater of Vl. Mayakovsky, artistic director and chief director of which was our master. Andrei Alexandrovich loved my songs, that is how he set me up - like a singing actress. He generally has all the artists singing and writing.

Tall guests came to the theater, and the students performed in front of them: I sang my songs, my classmate Igor Lebedev read the stories of his own composition, completely brilliant. All this is a galaxy of people - the carriers of the school, theatrical traditions, which are carefully transmitted by some of them, and this is great happiness. Andrei Alexandrovich taught the artist first of all to create himself, considered the main thing to develop figurative thinking.

He said that it was necessary to instill in the artist faith in high calling. For the director, he considered the main one to develop aggravated attention to the spiritual principle in a person, the desire to reveal character through action, act. The theater was for him only a temple. The artist wants to play roles, but he initially does not have a large amplitude of choice, and the director today drives his talent inward, subordinates his will.

As a result, the actor becomes a doll, puppet, his personality is excluded, his talent is depreciated. They take a person for his gift, and then this gift is locked in a chest cage, and the director says: I am not interested in yours, I want to express my own. And you should stand here in the corner to stand calmly, wrapped in tape, and look somewhere.

The director today is a person who uses the bodies of actors, but not their gift. He said that the time of amateurism would come, and he would prosper, and people who have never studied theatrical skill will become popular directors, successful people, and opinion leaders. We laughed at this so, we thought that this was impossible, and he was right. Great people are leaving, there is no one to stand up for art.

I am very grateful to Nikita Sergeyevich Mikhalkov for the fact that he is a defender of Russian culture, for his courage, for his love for art, for the artist, for Russia. In each generation there were dubious artists-rather dealers who emerged from somewhere, but then, however, quickly dissolved, disappeared somewhere. On this topic, I talked with my teacher Alexei Bartoshevich.

To my question why degradation is taking place before his eyes, and he is silent, Alexei Vadimovich replied that this period should just survive - all the excess should in itself disappear, melt, do not focus on this, and it will go into oblivion. Maybe so. But it would be more pleasant for me if our modern theatrical skill figures did their work so that no one was ashamed of it.

So that you can come to the theater with children, with a grandparents and see a performance without sexual acts, a mat and other shocking. Who would you call more? These are people whose opinion you can rely, for whom you can safely follow. Intelligent people have one trait - often they can not utter a word, give way, and now we are in such a situation when we have nowhere to give in and backward, and if we will be silent a little and let this amateurism and vulgarity, then we will come to the point of no return.

That is why the forces of good must unite and declare loudly about themselves. What modern authors would you note? I was impressed by the guys from the Kaboisa group, they have a real literary language. In other words, we have something to show off. Because we are not like them. They are interested in why we are still alive, where the source of our vitality, stamina and compassion.

For them, a riddle - why Russians love life! Look at our people. It doesn’t matter to people that they often live in some constrained conditions, not in the comfort in which it is time to live, but they are incredibly cheerful. As in the village they sing and dance under the accordion, under the guitar, how they go to church, pray - for themselves, for others.

Look at the degree of compassion for your neighbor - how the people send their pennies to needy children, whose parents call for help on TV. I am very proud of our people, our past, even our mistakes I am proud of! Russia is love. The cultural code of Russia lies in love.

Without love, everything is nothing, we recall what the apostle Paul said. And what is curious, today's youth is well aware of this. They deeply study F. Dostoevsky, A. Chekhov, they are interested in the deep questions of a Russian person, Russian history - all that we can be proud of. In general, I want to note that our youth is much more gifts to us, representatives of the previous generation.

The time will come, and they will do something that the whole world will admire. These are our new Pushkin, Tchaikovsky, Lermontov. We will be proud of them. This time is already coming, they just need a leader who would lead them along. Just do not step into the mud, it slows us down, sucks us. Very intelligent and educated people live in Russia.They have many serious questions - about the soul, conscience, betrayal, honor, they want to discuss them, express their opinion, understand that they are not alone with their thoughts and doubts.

And suddenly, when they see that there is a person with similar values ​​on the stage, they immediately see his native soul in him. This is a powerful energy charge, cannot be expressed in words. Of course, it is difficult for us, it is difficult for artists to go beyond Moscow, we simply do not have funds for this. But meeting with the viewer in the regions is always a joy.

You have to go there, up to the last village. People, beautiful people live there. Please tell us about your activity at the moment. People need a confidential conversation, so I am increasingly performing my author’s songs at the venues of Moscow and the Moscow region. This year I became the laureate of the international festival of authors of the modern Russian romance and the lyrical song “Charm”, and also received a prize of spectator sympathy in the II International Film Festival “The season of love is in every heart”.

I also starred in the short film "Styopa" based on the story of Ivan Bunin, who was successfully presented at Russian and international festivals. In the picture, I fulfill my romance "You break through to me." So you determine the genre in which you sing? In general, I have an uncertain genre, even a whole story came out with this. The bards did not accept me, they said that my songs are not bard, although I seem to perform them under the guitar.

At the same time, I do not have a rock - a slightly different musical structure. I continued to think - maybe this is a folk? No, the romance is a dimensional row, and my songs, how my son Ivan jokes, dimensionless. And once one producer said that my compositions are female monologues about love for the guitar. It seems to me that this is an absolute hit. I would like to finish our conversation by the quatrains from my song: “That brave people leave even to dawn, that the most important words about love are still.

That proud, as if blocks, one on one, like huge ships, remain among the ice floes. ” Photo-from the personal archive of Alevtina Dobrynina to share: the all-Russian public-state organization "Russian Fund of Culture" Partners:.