Zainap Bilalov Biography

No less than the music and words of the Tatar stage, its life and the atmosphere are interesting.

Often, artists are more about this and ask where they were born, how they came to the fact that they wanted to sing, how they passed the tour. It seems that a good book would come out of the study of the pop infrastructure. In the meantime, interesting books are written about artists-one of these was written by a journalist, a songwriter, former deputy director of the Karievsky Theater Gulgen Karimov about Zaynab Farchetdinova.

It was released by the Rukhit Publishing House in the year, to the singer’s anniversary, she was sold at concerts, but as if it had sunk into oblivion. How Avaz realized the popularity in it can be found many curious facts. That the story at the Institute of Culture by their group was taught by Rafael Khakimov. That her first song, which sounded on the radio, is now better known for the performance of Salavat Fathutdinov "Ber Eget Garmun Myshely." And then there were already “Susau” and “Min Sinna Yaratam”.

At the beginning of the x Farkhetdinov and Bilalov, they settled down in the newly opened National Cultural Center “Kazan”. But after they began to strain that the salary there is small, there is no apartment, but I would like to have children already. Composer Hans Saifullin advised them to create his own group, so Avaz appeared. For the first concert in Chelny, the team went on a regular regular bus, with equipment - and other passengers.

Having reached the Sarah Sadykova concert hall at UAZ, she personally went to the cashier and found out that all the tickets were sold, and the administrator planned, without the knowledge of the artists, two for today and three more for the next century. And her husband after advising her not to walk in that direction: the people who did not get tickets almost broke a concert suit.

Between the concerts, spending time on autographs, barely managed to eat in the dressing room. As a result, they played ten days. Three concerts at all sites of the city. A similar situation was repeated in Nizhnekamsk. She spent all the performances of Farkhetdinov in two thin dresses, as she suggested that she would return from Chelnov the next day. Honey and even garlic are carried on the stage for warming.

At the same time, we repeat, the team drives everything on the same regular bus. In the same year, she will burn one of the dresses with an iron in Almetyevsk - she had to speak in it, rehearsing all the movements so that the holes were not visible. In addition, behind the scenes, the process was controlled by the husband. Buses, cars and nannies as a result in E “Avaz” grew to a collective of 20 people.

Therefore, for example, in their bus, artists organized armchairs that turned into full -fledged sleeping places with mattresses. Well, Farchetdinova received her first Lada car as a prize on Sabantua in Salmachi as the best singer. After that, the son Bulat appeared, and the artist sang until childbirth, building a tour schedule so that in recent days it was next to Kazan. As a result, the future father was forced to go to Almetyevsk on the flight of childbirth on the day of childbirth.

It was in September, and already in November Avaz went to another tour. And the Farit mentioned above became a “mustachioed nanny”. So the future singer Akbulat spent the first months on tour, sometimes going on stage without warning - to say hello to the artists. And of course, the brothers will finish the story about E from Farchetdinova dramatic. Then the artists carried everything with them - not only equipment, but also money.

For protection they wore gas cans and pneumatic pistols. Stop such a bus at night and call the guys a conversation is a common thing. Or even try to break into the room. As a result, all equipment and concert costumes were stolen in Ufa at the team - right from the room of the hotel administrator. And this means that arrangements loaded into synthesizers are also gone. After contacting the police, only part of the costumes was returned.

The arrangements had to be done again. Is it possible to say that since then the living conditions of Tatar artists have changed? But we can confidently say that now no one gives three concerts a day. Prepared by Radif Kashapov.