Oleg Asadulin director biography

Our guest today is special. This is the film director Oleg Asadulin, whom we met when he shot the series and the film "The Dark World. Fate rarely gives the screenwriter the opportunity to make friends with the director, because they are often antagonists in the food chain of cinema. You know, as they say - if the film is failed, then the screenwriter is to blame, and if success is the desert of the director.

But we became friends and we became friends, and we became friends, and we became friends, and we became friends, and we became friends. With great interest, Oleg’s work, his experiments and achievements, that he will shoot the “SUCCESSIONAL” by the competition of the Ministry of Culture of the Russian Federation, and now the picture and the producer of this new film, the author of the colorized version of the classical picture What did the director of the film studio Sergey Zernov say about the project: “For the Gorky film studio, this is a main project.

For a long time we searched for a script that met all our requirements in the family cinema genre. ”But before asking the director to ask questions, we will give a brief certificate of him: Oleg Asadulin - a Russian and German director, producer and actor. He made his debut on the big screen with the painting "Fobos", shot the films "Green Carriage", "Route built" and others.

He worked on the popular television series "Closed School", "Ship", "Dark World: Equilibrium". Laureate of a professional prize of the Association of Cinema and Television Producers in the field of television cinema in the nomination "The best television series of more than 24 episodes" For the television series "Ship". Source - Kinopoisk. He studied at an art school, an art school, after which he left for Petersburg.

He worked as an artist in theaters, an illustrator, studied for a multiplier, entered the Mukhinsk Art and Industry School. In the year - moving to Germany, to Berlin. He studied at the Berlin Academy of Arts, where he began to engage in documentary cinema, so far I have not yet understood that my real calling is a movie movie. In the year he entered the German Academy of Cinema and Television in Berlin DFFB, which he graduated and, having received the first proposal to make a film from Russia in the year, frequented home.

I continue to work in Moscow, which I do not regret for a second. What does the picture of Tatyana Lukashevich mean for you, another year? And what is the new project for you? Classics of Soviet cinema. And I would like to make a certain recognition of love to the films of our childhood, to show a tribute to the cinema on which we grew up. But our project should be, first of all, a modern and original film that can stand on a par with the best films about Moscow.

It should be an emotional, touching story that both children and their parents are happy to look at Kinopoisk. What is a comedy? How does this correlate with the future film? But I consider a comedy, especially in its modern form, a complex, motley genre, with many elements and components.

This is a trend that dictates the viewer. The viewer is no longer interested in the genre pure, he wants a more complicated, multifaceted action. So our future film will include elements of drama, a little adventure, adventurous plot. That is, our task is to create a complex, modern comedy, where we can not only laugh, but also empathize. And what is life for you? Life is chaos, and art puts it in order.

This is what the source will do - Kinopoisk. What is your credo? Is that so? What about the comedy? And those sincere pure feelings and emotions, delight and awe that he himself experienced, sitting in the hall, wanted to learn to convey to others. Therefore, even the fine art from which I started was a rather logical preparation for the profession of the director. And the genre for me is only a form that in one or another project should always be filled with emotion.

In this project - continuous mines. Not only is it a comedy, but the main character there is a five -year -old girl. Fear is a good tonic. The brain begins to work faster, fantasy turns on, the whole body is mobilized. I have always seen help in this, not an obstacle. What do you say about our scenario? It is not necessary to praise, tell the truth. What succeeded, what failed? You managed not only to convey the spirit of the old film, but to find a new form, modern, emotional, exciting.

I won’t wait for me to start making this film. Thank you, Oleg, for communication!